‘Kingdom’ Recap: The ties that bind the Kulinas 

Last week, the MMA drama zeroed in on Alvey and Jay Kulina.

One of the bittersweet facts of life is that whether we like it or not, there are certain traits of our parents that can’t be deleted from our personality and can’t be hidden from our daily activities. The good things are promoted like an unbeaten championship fighter, but the bad parts are usually covered up and pushed into a corner, or at least we like to think it’s that easy.

We are our parents in so many ways that when the attempt is made to break out on our own, the past doesn’t let us go without mortgaging our future. The result can be an overbearing need to be as good, or better yet, try to be better than what came before us. Make them proud without sacrificing yourself.

This week on AT&T’s Kingdom, we were fed another brilliant hour of television, and my biggest takeaway from what fathers and sons do to each other in order to co-exist.

Example #1: Jay, Alvey, and a need to be involved

Jay Kulina (Jonathan Tucker) is trying so hard to NOT be like his father, Alvey (Frank Grillo), that he has stripped away everything that he is as person. He quit fighting, drugs, and doesn’t even hang out with his friends. He isn’t doing this to make a good life with Amy and his daughter; Jay is doing this to distance himself from a future painted in Alvey colors.

Since Kingdom debuted, there has been a seething tension between Jay and Alvey, like two similar beasts trying to figure out how to navigate their way down a highway in cars waiting to be wrecked.

When I interviewed Tucker last year, he broke down the Jay-Alvey divide. “He (Alvey) wasn’t a good father. There’s no love or compassion. He has an inability to see the wounds he has caused. Jay is an addict but he knows what he is. He is trying to seal the wounds that his father has torn apart,” Tucker explained.

Jay blames Alvey for the abuse done to his mother, the drugs and alcohol addiction that tore the Kulina family apart years before the show brought us into their lives. The love and compassion is something that Jay has all but stopped waiting for from his father.

Last season, when Jay won a title belt by cutting an extreme amount of weight, and the post-fight congratulatory moment from Alvey rang false to Jay, because Alvey seemed to make a bigger deal of the fact that his son won a belt, and not that he had done everything asked of him. Alvey was impressed by the belt instead of being proud of his son.

Jay elaborated on that moment: “You care about this trophy more than anything else. Jay wishes that Alvey would have put him in rehab or taken care of his mother. Now Jay has self worth because he has a belt. Alvey should have been proud of Jay when he came in under weight. It seems so false to Jay.”

Fast forward to Season 3, and Jay doesn’t invite Alvey to his daughter’s baptism. This was no accident. Jay didn’t want Alvey there. When he finds out from Nate (Nick Jonas) that everybody else including Lisa was invited but not him, it truly hurts Alvey. You can see it in the true grit expression on Grillo’s face near the end of “Ritual”. He has damaged something that can’t be healed, but he wants to try.

Think about this: one of the only reasons Jay went back to fighting was to try and make a last ditch effort to please his father. He saw how close Alvey was with Nate, and wanted some of that. When he made the comeback and won the belt, and saw the look on Alvey’s face of shock and awe after defeating Wheeler, something in Jay died. He did all of that to lock onto his dad’s good side, and it was for nothing.

Nate and the Ultimate Reveal

The other father-son dynamic on this show is between Alvey and Nate, with the ticking timebomb of a reveal of Nate’s sexuality. When Garo (Bryan Callen) tells Jay that the reason Dickson dropped out of the fight was due to rumors about Nate being gay, the pot starts to boil very quickly in several corners of this show.

Nate finds out from Jay as he is sitting down to dinner with his dad, and the acting from Jonas makes you tremble in nauseous anticipation at the reaction he will get from Alvey when the mystery is pulled away. How Alvey reacts could make or break his connection with Jay as well, so imagine losing both your sons in one reaction. That’s how fickle life can be to a flawed soul. You make one bad move, and it’s an uphill battle in muddy shoes.

Will a King Beast contract cost Ryan in the end?

Speaking of Garo and anticipation, he shows up at Ryan’s house with a brand new Dodger Charger, and wants to take him out for a night of cocaine, naked women, and perhaps some green paper. Garo offers Wheeler a three fight contract for 300,000 thousand dollars, and sprinkles 25K on top of the pot to get a signature at the strip club. One can only imagine this is how deals between fighters and promoters come to fruition in real life. Ryan signs the contract, much to Lisa’s dismay (she gets a text from Garo) and us as well. While I was happy Ryan is getting paid, I trust Callen’s suit as far as I can throw him.

Keith and his mad world

The new car and stack of cash can’t hide a tumbling down the rabbit hole of avocado despair Keith from interrupting phone calls and answering doors with a knife in his hand. Something is happening with Ryan’s “friend”, and the ending will be a troubling one. Creator/showrunner Byron Balasco’s writing is so good due to the fact that he has a restraining order from melodramatic tendencies in storytelling. His stories feel real and honest, and that shows in true fashion with Keith’s condition and the father-son trials and tribulations.

Dominick Ramos: A New Poison on Navy Street

Every season of Kingdom has a poison it seems like, with Mark Consuelos’ Chapas in Season 2A and Lisa Esco’s Ava in Season 2B. They drop in to poison the well, and test one of our main characters in ways that usually ends in their death, but not before cutting their victim off at the knees. You take Chappo away from Alvey, and maybe he doesn’t tumble so far down the drunken path. If Ava isn’t introduced to old habits with Jay, maybe the Kulina son doesn’t run away from fighting. Maybe not, but this season, the new “oh no” disturber is Kirk Acevedo’s Dominick Ramos.

With Alvey going back to fighting and needing to train, the gym needs a helping hand on coaching, but this guy looks like trouble. Acevedo’s Ramos is an ex-fighter from the Bronx who talks like he’s pulling wisdom word for word from his stomach. The slow drawl style that he chooses every single word like a sniper chooses his ammunition is a warning sign that this guy has something else going on.

He interviews with Lisa (Kiele Sanchez) and Alvey, and when Prince offers him the job later, we see Ramos shoveling protein powder from a bag to a canister in his boxers. Apparently, there was some trouble back East with money and certain people, but something tells me this is tied to Alvey. Something during their interview-especially the phrase “the Kulinas cast a long shadow”-makes me think bad deeds are ahead.

Ramos may have gotten the job, but I don’t trust him for a second. He’s like a human can of gasoline being kicked over on the mats at Navy Street. Watch out.

Christina Kulina, California brothel captain

The episode opens up with Joanna Going’s Christina stuffing a grocery cart with pizzas, ramen, and other goods. Did she become a nanny? Did she move somewhere? What is she doing? It turns out she has opened a brothel with Mr. Sleaze with an a Bond accent, with at least 4-6 girls posting webcam videos and doing some jobs on the side. If Christina can’t make a clean break from the life that has wrecked her life, she can at least move to a coaching position, and make some money.

Going was too good on this show to be killed off in that near overdose sequence from Season 2, and this season looks like a fresh body moving around in a wise soul. She helps nurture a young girl from Miami who gets roughed up in her first “scene” on the town with Mr. Sleaze, and is doing well. She doesn’t like that Jay is distancing himself from the family, but can’t help but cuddle her new granddaughter. She is one of the few that knows about Nate, so that makes me sweat in waiting for Alvey’s reaction.

Final thoughts:

*We all know the real estate thing isn’t going to work out for Jay, but will he at least get to punch that mean tenant in the jaw? As a person currently looking at homes and selling his own, I understand the decency in vacating the premises for a showing. Poor Jay. Trying to make an honest living, but that beast is always raging. Glad he still has the bags in the backyard.

*Who is taking care of Lisa? After getting so close to Wheeler at the end of Season 2B, Lisa is now living by herself and she looks lonely. Which male character will win this woman’s heart in the end?

*Did I mention how having just eight episodes left now is extremely saddening? We will all need a heavy bag in August.

*I have a fever, and I need more MAC BRANDT! The brown leather drug pouch is also a nice touch.

The thing I miss most about Kingdom when it’s gone are the Frank Grillo monologues. The soliloquies of wisdom that usually come on a couch or with a drink in his hand. Early in the episode, Alveys tells his therapist that he is returning to the ring, and part of that great speech from the trailer arrives. “I need to feel my full range of emotions. I need to be who I was.” If that last line doesn’t awaken something in you, get your pulse checked.

Grillo knows how to properly disperse gravity in his line readings, and when he talks about getting reacquainted with the beast inside, I had to rewind and watch it a few times just to soak it up. You can tell that Balasco wrote this character for Grillo, because the actor will never play another role that exists so close to his true self or mirrors his own fight in life, and he invests everything into these scenes and Alvey’s trek.

The scenes I rewind the most are the Alvey Kulina speeches. The moral compass of a show about flawed and damaged fighters needs to have weight, and Grillo packs a punch.

See you next week.

‘Kingdom’ delivers soulful season finale 

“You ride like lightning and you’ll crash like thunder.”

Ding ding! Kingdom on Audience viewers and addicts, take your corners! The Season 2B finale packed a punch and left viewers floored at the physical entertainment and the drama that lingered afterwards.

It was never about the rematch in the first place. In a classic twist on a show about fighters that focuses on their battles outside the ring, the Season 2B finale was relentless in closing sub plots and reopening old wounds while opening entirely new threads.
The Rematch

Ryan Wheeler(Matt Lauria) and Jay Kulina(Jonathan Tucker) taking the ring in a rematch that looked like the world ender to every fan in the audience but inside it was a bittersweet tale that every Kingdom fan knew how it was going to end. Jay, unfit for any overly lit room much less an octagon with blazing bulbs flashing all over the place, taking the ring days after his girlfriend Ava was brutally murdered. Ryan, a King Beast seeking revenge and the alpha badge of Navy Street, trying to block out the fact that his best friend needs a true friend and that he has to hurt him. Two friends meeting again.

Pale imagery and the polar opposite of what took place in Episode 203, where Jay was on top of the world and Ryan was less than 100 percent and wrapped up in demons. It goes to show you that winning a fight and a title doesn’t make a fighter whole. It just pushes his destiny further and further away. When Jay won the title, he didn’t feel anything. He didn’t feel the long lost fever of a championship belt. He felt incomplete so he attached himself to Ava and the allure of drugs.

As the fight begins and all the odds are stacked against Jay, it’s almost as if you want the beating to be over so Jay can recover properly. As fans, we never know what is going through the mind of a fighter. If you ask them, they won’t tell you. In a similar fashion that Jay used Ryan’s physical injury against him, Ryan takes advantage of a distant and ill prepared Jay in the rematch. In a testament to Jay’s “heart of a lion”, he holds it together until the early moments of Round 4 before Ryan finishes him off.

As Ryan screams for his belt, you get the idea it’s all a show. Ryan didn’t want to fight in the first place back in Season 1. He does it to please others and also to keep the demons inside his head quiet or to a dull roar. After the fight talking with Alvey, he gives him the belt as a way to show a hunger still exists. I think he wants to get rid of it so he doesn’t get close to it or the fact that, like Jay, he feels nothing for it. It’s a belt. Something you hang in the office or at the gym. It’s as meaningful as Chapas’ ashes sitting on Alvey’s desk. It is meant to embody that you won something but in the end, it hinders a fighter.

Ryan won and Jay goes to the hospital. Let’s take a few steps back to the beginning of the episode.

Jay Kulina: The Pale Rider

Jay standing outside his hotel looking at the clean up crew taking apart the crime scene is a great stand alone acting effort from Tucker and he has no dialogue. The pure strength of an actor isn’t a big speech. It’s what he can do with what isn’t spelled out or written for him or her. What can you do with your eyes, face and movement? Tucker excels at this often. In a 2-3 minute sequence, he shows the audience a pale rider. Someone who has had the life sucked right out of him.

Ava may have hindered him as well as Alicia(Natalie Martinez, absent from the finale) but it was more than that for Jay. A man who learns something new and painful every season. Tucker doesn’t hide a single bit of pain in his expression. Imagine a paper airplane hitting the ground and catching fire. That’s Jay Kulina. Only after defeat did the man recover and smile.

Alvey: A Man Apart

The season started with Alvey drinking himself into a stupor and the finale features him alone once again. That reunion with Lisa(Kiele Sanchez, burning her own candles elsewhere) never materialized. Roxanne(the lovely Wendy Moniz) broke it off with him early on because of the messy drama fires around him. His son Jay is in the hospital and his younger son Nate is in the midst of a comeback but still mixed up in personal anguish. Everything Alvey fought hard to push himself from while staying attached is going on without his effect. He’s a man apart and this gave Grillo the seeds for a performance that SHOULD HAVE GOTTEN Emmy consideration.

I love the way every seasonal break has ended with Alvey alone in the gym. A man ready to fight his demons yet unequipped for battle. Here’s a guy who trains harder than anyone in the gym, drinks his meals, and has enough rage to fight three guys at once. With Alvey’s torment and disconnect at the moment, all he has is the gym. All he has is what he is going after. 

Grillo is at his best when Alvey is at his worst. The emotional volcano spill that the elder Kulina causes allows the seasoned actor to go anywhere he wants with Balasco’s writing fueling his car like an engine with horsepower to spare. 

Nate and Jay: Brothers Looking Out

As he cleaned out Jay’s room, Nate found Will’s business card next to the bed. Instead of raging against his brother for intruding into his personal life, he just walks into the hospital room like a wounded puppy looking for a little protection. The relief that has to fall off his shoulders that some part of his family knows that he is gay has to be enormous. Jay has always been someone Nate could trust, and Jonas and Tucker are beautiful in this scene together.

Leave it to Tucker to sprinkle some true comedy on the room when he jokes about positions with Nate. After all the pain and anguish Jay has gone through, the internal trust he has with Nate gives him some resemblance of a win. Well done men. 

Christina(Joanna Going) also makes amends with Jay at the hospital but it reads more like an apology to her own identity as a mother. After pouring so much drama on the Kulina household this season, she writes him a letter that covers ground that fans didn’t even see. Here is a mother who has treated her oldest son unlike a son. Christina depends on Jay more than any mother should and seeing Tucker do the dialogue-less torture reaction locks horns perfectly with Going’s dialogue. These two have given television the most emotional mother/son pairing since Jax and Gemma Teller on FXX’s Sons of Anarchy. Bravo. It’s not an easy balance to maintain but Going and Tucker make it look easy.

After so much waiting and wondering, Ryan and Lisa finally share a warm moment and a kiss. It happened near the end of Season 1 but was more lust than passion. Lisa, needing something that isn’t broken in her life, finally sees something in Ryan that hasn’t been there for a long time. Protection and love. It was only a kiss but it surely turned into more.

This sets up another uncomfortable yet highly entertaining dynamic in Season 3. Alvey isn’t going to be pleased about this development. While he knows it can’t work with him and Lisa and there is history there, do you really think Alvey can train Ryan during the day and then watch him leave with Lisa at night? Fire, ladies and gents. Fire. The Ryan-Jay showdown was the driving force behind Season 2B and the Alvey/Ryan/Lisa tripod of doom will puncture Season 3. They may not fight in a sanctioned fight but they will come to blows.

Every television show should aim to get better each year. Instead of resting on your laurels and dishing out potent yet similar entertainment after acquiring people’s attention, a creator and his cast/crew should keep pushing. Balasco, Grillo, and company have done that with this latest batch of episodes. Every 52 minute episode felt like a brilliant edited film and something to dissect and wonder about for days. It didn’t feel like ordinary television. Kingdom ascended higher this season with pulse pounding drama and knockout worthy action. It’s something else. A signature blend that isn’t afraid to take bold risks in order to spin a story few have told.

For all the people who wanted a real dynamic show about fighters and their lives, look no further than AT&T’s Kingdom. It’s got everything. This blood drunk drama knows how to hit a person where it counts. Unlike most TV shows, Kingdom doesn’t aim to merely please. It aims to knock you out. Season 2B did just that. There are 30 episodes at your disposal folks. What are you prepared to do? Take the plunge.

The pilot featured a weary yet wise Alvey Kulina jogging through the streets with peace in his mind and hunger in his back pocket. He had everything. At the end of Season 2B, all he has is what he is going after. A bottle, a bag, and nothing else.

Great television challenges you every week. Thank you Kingdom. Please come back for Christmas.

 

 

AT&T’s ‘Kingdom’ teaser: “Halos” recap

In order to get ready for Wednesday’s all new Kingdom, catch up with my recap of last week’s episode.

What: Kingdom 

Where: AT&T’s Audience Network

When: Wednesday nights at 8 p.m.

Like father, like son is a phrase often used to show the good nature of a bond forged at birth. What if it is the other way? What if a son is like his father in dangerous and unsettling ways? The two men can’t help this. They can only attempt to control it.

With Jay Kulina(the Emmy worthy Jonathan Tucker) spiraling out of control following his victory over Ryan Wheeler(Matt Lauria), it’s hard not to notice the similarities between father and son. What does Alvey Kulina(Frank Grillo) do when he gets into a tough spot and has to get away? He goes to a hotel, turns off his phone, drinks like a fish, partakes in drugs, and cuts himself off from the world that scratches at his conscience.

AT&T/DirecTV
AT&T/DirecTV

Jay and Ava(Lina Esco) have taken their “Leaving Las Vegas” like plunge to the nearby Flamingo Hotel. A place that is seedy, dirty, and looks like a great spot for drug(s) be exchanged, ingested, and devoured.

Like his father, Jay is escaping from a reality he doesn’t want to participate in at the moment. Everybody wants a piece of him and he wants no piece of them. Alvey’s biggest plight in his hotel getaways is cough medicine mixed with drugs but keep in mind he’s an older man. Jay is younger and we know that Alvey snorted and injected plenty of drugs in his younger years. Like father, like son.

I’ve said it a few times but this can’t end well for Jay, Ava, or Alicia(Natalie Martinez). What started as a harmless flirtation in a gym kitchen has turned into bad news city. Maybe Ava finds good reason to run away and leave Jay alone or maybe this slide continues to twist or turn the two sinking lovers.

Alvey sees way too much Christina(Joanna Going) in Ava and it’s not a wild comparison. He knows how bad it used to get between them when they were married. Christina sees the hazards in Ava that even she doesn’t want to admit but that doesn’t mean they aren’t there. It’s like Jay is a runaway train and all his friends are running out of subway platforms to get him off the train. He’s beginning to enter the tunnel and the next stop isn’t a good one.

It was nice to see Wheeler share a quiet soulful moment with Jay in the bathroom at Nate’s fight. They were close friends pulled apart by a reach for professional equity and desire. Neither of them are alphas. Both of them are isolated and troubled. Ryan’s suggestion of canceling the rematch wasn’t from a needy place of his own body and mind. It was a friend reaching out and trying to help another in supreme need.

So, Nick Jonas’ Nate got back in the ring and kicked all kinds of butt. This was easily Jonas’ most impressive moment on the show. Creator Byron Balasco and his writing team seem to know that his strong suit is quiet, brooding, and simmering with rage. The fight was choreographed extremely well and the sound of silence with fists and kicks near the end was superb.

At last, Nate was able to cancel all the mechanism out and just fight. Jonas was so good in this moment. He’s gotten a few stretches this season where the stage is his. He triumphed but soon afterward was urged by his mom to help his ailing brother. Poor kid. His dad struggles to believe in him and his mom is a wrecking ball.

Lisa’s dad(Bruce Davidson) shows up and wants Alvey to resist Lisa’s urge to return to Navy Street. As a collective audience, we scream no but in the end Alvey is given a check for 200,000 dollars to make sure Lisa stays in San Francisco. Knowing Alvey and his love for chaos, I don’t think that check will be cashed or deposited. Lisa will come back soon enough, right? She has to.

How about Mac Sullivan facing down his best friend in the hotel? I spoke with Mac Brandt about this moment in the hotel and he said it was initially hard for him and real life buddy Tucker to execute this but in the end they got it done. Jay begging Mac for drugs that the big freckled dartboard doesn’t want to give him. Mac sees the train going down into the tunnel. Mac’s eyes are the audience’s lens. Nobody likes this version of Jay. It’s a very good scene.

I’ve admired the way Balasco has kept the weird odd and messed up nature of Keith(the gifted Paul Walter Hauser) under wraps for 24 episodes. When Ryan allows Alicia to stay at their place, Keith doesn’t like it at all and it’s a genuine uneasy moment. Remember folks that this guy murdered his parents and also did a few other crazy things to land himself in a halfway house. He’s insane.

Sure, he’s a smarter than you think cuddly teddy bear but he’s capable of bad things. He also adores Ryan and if someone tries to pull him away, that person may be in danger. I can’t wait to see how this develops over the final four episodes. Keep an eye on Keith.

Final thoughts:

*I love the way Wendy Moniz plays Roxanne. She loves dangerous men but she is trying as hard as she can to not fall for Alvey. She “can feel ‘Lisa'” in the house and is now a little more unsure of where this relationship is headed. Grillo and her have chemistry to burn.

*Anybody else catch that look Jay gave their new neighbor at the hotel?

*Poor Jay doesn’t know the difference between seedy “True Romance” like hotel room service and Ritzy type room service. He will soon enough.

*Alicia isn’t as misguided and dangerous as her sister but how about those lack of principles in asking Ryan if she could stay mere days after she turned him down for the same privilege?

Come back next week for more Kingdom analysis and review. Season 2B is heading in a direction that has everything to do with these characters and the consequences of their actions OUTSIDE the ring. Gritty, emotional, and powerful.

 

 

Frank Grillo joins We Are Live! radio

Frank Grillo joined We Are Live radio in St. Louis to talk about his upcoming film projects.

Before he takes over Hollywood this summer, action star Frank Grillo was kind enough to talk to the CBS Sports Radio show, We Are Live. For an epic 34 minutes, Grillo dished on his big 2016 cinematic and television season. After punishing a few Avengers in Captain America: Civil War, Grillo will return to his true authentic playground with AT&T’s Kingdom and then return to movie screens in July with The Purge: Election Year. For the 50 year old actor, it’s a homecoming of sorts after a lot of hard work put into the blood, sweat, and tears business of show business that started over 25 years ago.

 

Guest host Rafe Williams and Trill Ass Trailers creator Kenny Kinds joined me for the interview and we discussed:

*The impact of Crossbones on the Marvel Universe and the Russo Brothers.

*Why Chris Evans shouldn’t challenge Grillo in a real boxing ring.

*The world of Kingdom and MMA and how the show came together for Grillo and creator Byron Balasco. 

*Why Purge 3 will be the best in the series. 

*The importance of stunt work in these action adventures.

Conor McGregor was brought up and so was Grillo’s early start in Hollywood on The Guiding Light. All of that and more. 

People ask me what separates Grillo from your other gracious make believe masters and it’s this. He gives a shit and forges friendships. He keeps his word. If he says he can do something, he is going to fucking do it. A lot of people, actor or not, don’t do that so cheers to Frank.

The audio links are below. Two options.

For the ITunes crowd, here is the link to the We Are Live subscription page.

For the internet crowd, here is a link to the We Are Live InsideSTL page.

Each page the segment is listed as “Interview with Frank Grillo”. If it were up to me, I’d light this page on fire right now because that is the exact temperature of the man’s career.

Thanks for listening to it and I hope my first night hosting a radio show sounds as professional as possible.

A huge thank you to Chris Denman and Travis Terrell of We Are Live to allow me to operate the controls of their cathedral for a night and host Mr. Grillo on this fine show.

Wheelman: A Frank Grillo and Joe Carnahan joint

This action flick brings two special talents back together.

Frank Grillo and Joe Carnahan teaming up for the action adventure flick Wheelman may not be the Beatles getting back on a stage together but it’s pretty damn close.

Back in 2012 when Carnahan’s The Grey was released, Grillo was just beginning to surge into the mindsets of moviegoers. He had just wowed them with Warrior and would rock them with his small and pivotal role in End of Watch later that summer. Carnahan’s ode to dangerous men fighting wolves and themselves in the brutal cold resonated with me on several levels, and reminded me of how gifted of a filmmaker Carnahan was.

No matter how many movies I see, Carnahan’s Narc never leaves my head when I think of expertly well done cop films. Ray Liotta playing this desperate misguided and stricken detective trying to make one thing right no matter how much wrong it involved. Joe is one of those directors that won’t work just to work. He wants the film to be personal and unlike anything you’ve seen before. That’s why he left certain big level projects. It’s his way or it’s no way. I respect that in a land of performers who aspire for mediocrity if it promises them a paycheck.

Grillo is your natural drop of action authenticity and has enthralled a legion of fans for years. An actor with more flavors than people give him credit for(just shut up and watch DirecTV’s Kingdom) and his performance in The Grey often gets overlooked because of some giant called Liam Neeson and the wolves these men had to starve off. Grillo’s John Diaz wasn’t a good man, but he wanted to move closer to that way of life in his final moments. Here, Grillo goes toe to toe with Neeson.

So when I heard Grillo and Carnahan were getting together for Wheelman, an action flick written and directed by Jeremy Rush, I was pumped. With these two guys, it doesn’t matter what the material is. If they are laying their hands on it, the script must be juicy and the probability for asskicking success has to be high. They’ve waited five years to work together again and it could lead to more collaboration, via Joe’s twitter account.

Wheelman is about a getaway driver who gets betrayed by his crew and must do whatever it takes to save his wife and kid. Simplistic, to the point and ready to thrill. Grillo and Carnahan aren’t trying to share some space on the podium at the Oscars here. They want to entertain the shit out of you because that lasts longer than a shiny trophy. They have no delusions of grandeur saved with their films. Their work is the kind you keep hearing about and eventually check out only to be blown away. The film also represents Grillo’s first foray in producing.

Wheelman should debut sometime in 2016 and in the mean time, you can catch Grillo lacing up his gloves all over Hollywood this year. After knocking Captain America around in Civil War, he will reenter Kingdom’s Navy Street as Alvey Kulina, the maker of men and inner turmoil in the world of MMA. He will reprise his role of Sergeant Leo Barnes in July’s Purge: Election Year as well as starring in Beyond Skyline and Stephanie later this year. Carnahan wrote and directed a few episodes of State of Affairs in 2014-15 and is prepping Bad Boys 3 for launch here this summer.

Wheelman will be known as when Frank Grillo and Joe Carnahan got back together and started their Hollywood domination plot. Get involved in this now.

Why 2016 is the year of Frank Grillo

No longer just a face of cinema, Grillo comes full circle in 2016. You may want to pay attention.

2016 is shaping up to be the year of Frank Grillo. Maybe you’ve heard of him. Maybe you haven’t. To many, he is that guy. To others, he is one of the best action stars in Hollywood. To me, he’s THE cinematic action hero and let me tell you why.

People ask me all the time why I tweet, share, and write about Frank Grillo so much. Instead of just saying, “it’s my page why the fuck not!”, I indulge in their comments. Things like “why write about him he doesn’t care about you” to “Are you being paid for this?” come to me and I laugh. They don’t get it. It would be easier for them if I showed this kind of admiration for a Justin Bieber, Lebron James or another famous face. Why Grillo? Let me tell you. Continue reading “Why 2016 is the year of Frank Grillo”

End of Watch: Best cop film since Heat

David Ayer’s film will buy up real estate in your head long after it’s over.

End Of Watch is one of the best movies of the year.  I’m a sucker for movies about cops, especially gritty buddy cops stories, but this movie blew me away and sailed through the roof of expectation.  A powerfully done crime epic about the brutally violent streets of South Central L.A. where cops put their lives on the line every time they go on watch.

Open Road Films

This movie is so authentic, the tension and close encounters of these police officers crawls up inside your chest and system and doesn’t care to leave.  Ayer, pulling writer and director duty here, doesn’t spare the viewer a single barbaric image.   Taylor and Zavala are two police officers who ride through districts full of plain criminals, drug dealers, gangbangers and full blown killers.   They see, deal with, and fight against IT ALL.  Gyllenhaal and Pena spent 5 months on ride alongs in L.A. and spent more time together developing a friendship that seems life long on the big screen.

Watching these two young men bicker, joke around, work together and contemplate the next stage of their life or day never feels or looks like two actors playing roles.  The acting is so brilliant that we forget these are actors playing make believe.   Continue reading “End of Watch: Best cop film since Heat”