“There is no devil. I think some people die here and they go see God and he tells them no, you can’t come in. You will be alone…forever.”-Bob Saginowski
Tom Hardy is amazing and carries the latest Dennis Lehane joint, The Drop. The movie is a equal parts gangster thriller, subtle romance and quiet character study. It will be known as James Gandfolfini’s last completed work but let it be known that the film belongs to Hardy, rocking ANOTHER accent here as Bob Saginowski, a quiet calculating man who tends bar for Gandolfini’s Marv, a old lion still trying to play the criminal hustler game.
Michael R. Roskam’s direction, along with Lehane’s adaptation of his short story entitled Animal Shelter, keeps you off balance. The first half of the film is slow building and resembles the increasingly fast shaking of a tree. Little plot points fall to the ground throughout the 105 minute running time, but you don’t really know the characters until about halfway through. That’s good filmmaking and even better acting.
You have no clue what to make of Hardy’s Bob and that is the way it should be in this pot boiling thriller. Is he slow witted or slow? Is he up to something or is he just plain? Why is he so quiet yet observant? Hardy spins a cobweb around his character and keeps the viewer a distance. Like Russell Crowe or Clive Owen at their best, Hardy lets his facial expressions do the heavy lifting. A stare down with Belgium marvel Matthias Schoenaerts contains about four lines of dialogue but the way the two men stare at each other makes it seem like paragraphs are being recited. In this movie, dialogue doesn’t have to spoken for actions to be expressed. The actors don’t need to bore us with words. I felt like I knew these guys in one life and had no clue they existed in another. There is a darkness in Hardy’s Bob that I couldn’t put my finger on until the climax of the film, when a bomb suddenly detonates inside the plot and springs the film towards its final resting place. (more…)