Tag: Arnold Schwarzenegger

Latest “Terminator” feels old and useless

arnold_schwarzenegger_terminator_genisys-wide_0There’s a scene in the latest Terminator adventure, the 5th entry called Genisys, where Arnold Schwarzenegger’s original T-800 tells Kyle Reese, “I am old, yet not obsolete.” I wish the same could be said for the latest sequel/reboot/reimagining. I grew up on these films and I still think the entire thing could have ended with James Cameron’s Terminator 2: Judgement Day. While the third Terminator film wasn’t bad and featured an unexpected ending, Terminator Salvation was weak and didn’t feature Arnold at all and this summer blockbuster pretender is all flash and has zero originality.

I’m sorry, but reshaping the entire storyline to fit the requirements for making a 5th film doesn’t count as being original. Sure, Arnold is back in full bad to the bone mode as the ultimate protector. Game of Thrones darling Emilia Clarke is Sarah Connor and the blank slate Jai Courtney tries his best to not mess up Kyle Reese, but it’s not enough to make this reboot required. Jason Clarke is a skilled actor, but has little to do here as John Connor, the man who sent Reese back to save his mom, or something like that. Around an hour into the film, the plot gets very complicated and grows more tedious by the moment. What was simple turns into a constant changing of the timeline. Summer action films shouldn’t be this complicated, heavy and recycled. (more…)

Arnold/Ayer Shoot ‘Em Up Fails

Welcome to the latest round of A Dose of Buffa At The Movies. Let me start things out with a new release in theaters, Sabotage.

Let me first say that I walked into this film with a certain level of expectations. David Ayer, the co-writer/director had just put out the amazing cop film End Of Watch and hit a personalhow-michael-jackson-got-me-vip-tickets-to-the-sabotage-premiere career high mark. When he sought out Arnold Schwarzenegger for this role in this deadly DEA agent corruption saga, I got a good vibe. This wasn’t going to be your typical Arnold action film. There was a chance it could be something more. Good cast and a fine looking trailer came around and the expectations were built. I wanted something special. What I got was a letdown and a film that relied too heavily on gory action and not enough on its story. Here is a more detailed reason why Sabotage isn’t worth your hard earned money in the theater.

PLOT-Arnold leads a DEA task force of mercenary like killers into this seize of a drug cartel’s cash and when 10 million goes missing, the team tries to seek out the mole responsible and begin getting killed off one at a time.

REVIEW-Sabotage isn’t a total mess but it is definitely a disappointing film from Ayer, who is white hot right now off the success of his gritty brilliant cop film End of Watch. Whether he likes it or not, the bar was raised for any film involving him, especially one with him behind the director’s chair again. This isn’t a blue balls bonanza where you get really high on the film before a monstrous letdown but the wheels do slowly come off in the second half of the film after the beginning is strongly built on intensity.

When I thought it could be something more the film turned out to be a brainless action film. The action scenes are tactical and realistic. In your face bloody and well executed. They are a true highlight of the film in the beginning until they become an exercise in overkill as the wrap up begins and the reveal of the source of the betrayal is made.

The film falls apart in the end due to a series of twists that just don’t add up. That’s too bad because the action sequences are shot with a visceral abandon and amp up the tension. Ayer takes a page from Michael Mann’s book here and allows every bullet fired and explosive set off to feel like its happening right next to us. Its a shame the story couldn’t pack the same punch.

When you do find out who the mastermind behind the corruption is, it’s a head shake and not amazement. Something seems tacked on in the end and it kills the whole film.  The story when viewed as a whole doesn’t sit well. Ayer and Skip Woods fumbled it. While they were impressive in their sales pitch, they seem to lose touch of it all as they tried to figure out a way to complete the plot. In the end, it was…wait for it…sabotage.

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