Category: TV Show Reviews

Jessica Jones mixes real world fear with Marvel geeky fun

Jessica Jones doesn’t like people much. Jones drinks bourbon like a fish and only eats after a long night of bed breaking sex. She doesn’t care what you think. She doesn’t care for costumes. She is a cynical loner who has no need for heroism worship. Best of all, she kicks butt, takes it well and keeps on coming back for more. Jones is the first truly relatable superhero.

No offense to the world’s greatest heroes, but as much as the world can adore the more popular Marvel toughies, it’s hard to stand next to them as equals. I couldn’t drink a super serum today and become Captain America. When I get mad, I don’t shred my clothes and become a gigantic green rage monster. Tony Stark isn’t superpowered but his bank account sure is. Thor isn’t even human. While Black Widow is human enough, they don’t make look that way in Avengers films.

Jones, as played by the tough and witty yet vulnerable well of sorrow Krysten Ritter, is just another lady looking for work from the first time we see her on screen in the new Netflix series. She is taking pictures of a cheating husband for a stash of cash as a very good private investigator. Soon enough, we find out she can manhandle people and easily pick up furniture. Okay, so she is kind of superhuman when it comes to strength but the show never lets that distract from the main chunk of meat of the plot.

The thing is, Jones used to fight crime. She tried to do the right thing but when she ran into a manipulating mind controlling baddie called Kilgrave(David Tennant, channeling Tom Hiddleston’s Loki here with his devilish portrayal here), something terrible happened and she went off the radar. Someone died and she didn’t feel like being a hero anymore. A somebody that wanted to be a nobody.

She’s having a good old time being empty and full of cheap whiskey until Kilgrave returns to send her a message in the form of a missing young woman. The search for her and resulting find sets off a cat and mouse chase between Jones and Kilgrave, pulling her back into the world of a man who broke her years ago.

Jones’ sister Trish(Rachael Taylor), a popular talk show host, gets involved with the hunt and Taylor and Ritter have amazing chemistry as sisters. The writers pay careful attention to all the subplots in this show and the characters are anything but cardboard cutouts.

The major find and standout here is Mike Colter, otherwise known to TV fans as Lamont Bishop from CBS’s The Good Wife. He has a true breakout role here as Luke Cage, the love interest in Jessica’s life that eventually gets sucked into the Kilgrave hunt. A loner with impenetrable skin and superhuman strength, Cage shares a lot in common with Jessica, the least of which being a freak among normal’s. Here is a superhero who puts on a t-shirt and jeans and is ready to rock. He will instantly become a hero to millions of men across the world. Best of all, Colter has found himself a role that he was born to play. He doesn’t overplay the complexities of Cage and has a lot of fun with the action sequences.

Ritter and Tennant are perfectly matched here. Ritter is a veteran actress who most TV addicts know as Aaron Paul’s doomed girlfriend on Breaking Bad. She tosses everything you think you know about her and produces a signature role here as the centerpiece of the action. She doesn’t overdo the dramatic parts of Jones or treat the role too light. It’s a well balanced and fully realized performance that sets the 33 year old up for a long run. Just like Colter, she has scuffled around Hollywood in supporting or bit parts. Now she is at the front of the line, thanks to Marvel’s once again beautiful casting.

Tennant has a whole lotta fun as the bad here, a man who can tell you to shoot yourself or walk off the ledge of a building. When we first see him, he walks into a family’s apartment and promptly orders them around. He tells the kids to hide in the closet and pee in their pants while demanding the wife to feed him. Draped in a purple suit, he is a seemingly feeble man who you don’t realize his power until its too late. The actor, like the rest of the cast, doesn’t overplay the role even when it begs him to try.

The rest of the body of this show’s cast is well filled out. Carrie Anne Moss, Will Traval,Clarke Peters, Eka Darville, Robin Weigert and Erin Moriarty are all very good here, filling out parts with nuanced work instead of campy foreplay.

The show is uncompromising and goes in a number of directions. Right when you think it’s tapped for a certain direction, it pivots out and moves elsewhere. There are many great moments, such as a romantic tryst involving a moving bus. A room full of cops pointing guns at each other. An interrogation device that grows more thrilling by the moment. These people don’t need suits to exhibit their powers. Their own given bodies are painful enough reminders of the damage they can hide and the war they can wage.

Like Daredevil before it, Jessica Jones uses its 13 hours to fully flesh out a story while also introducing and building characters viewers will want to see more of. Colter’s Cage is getting his own show in 2016. Jones will most likely show up in that series. Both will come around future Marvel projects. Kevin Feige and company have composed a seamless system of original character construction. They put out the flames of a terribly failed cinematic attempt of Daredevil but going bare bones with Charlie Cox and telling a true origin tale. With Jones, they have finally delivered a female superhero worth rooting for and getting close to.

All thanks to the wonderful work from creator Melissa Rosenberg and her gifted group of actors. The fight choreography is extremely well done as well, never moving the camera too quick or getting too close to the action. It’s more of an adrenaline placement of action than a nervy twitch. Seeing Jones and Cage toss people around like rag dolls never gets old because it’s handled realistically. Well, as realistic as watching a nurse try to administer meds to Cage and having the needle get bent in half on top of his skin or him taking a circle saw to his abdomen to prove a point.

Jessica Jones mixes real world terrors and fears with the geeky Marvel superhero fun we have come to expect. Daredevil started something original and cool earlier this year. This new series improves upon that show and raises the bar. When Daredevil returns this summer and introduces Jon Bernthal’s take on Frank Castle, the engine will keep on roaring.

In case you forgot, all 13 episodes went live on November 20th. No waiting. No sitting around for six days. I won’t just recommend you watch Jessica Jones. I’ll urge you to. It’s extremely well done and you don’t have to know a single thing about these comic book characters. It’s better if you meet them like a stranger on the street. A stranger that can toss you a couple of blocks if they wanted to.

At The Knick: Whiplash review

The-Knick-season-2This week at Steven Soderbergh’s vivid 1900’s bare hands life saving shack, Doctor Thackery was getting his groove back. Watching Clive Owen play this marvel is like riding a train race down a track missing a few rails. The car bends left, dips down hard and coils to the right all at once. As good of an actor Owen is, this role has challenged him in ways other roles only hinted at.

Curing the addition starts with a poke. Thack tests out his ability to detect activity in the brain via his electrical charge. Essentially being able to manipulate a certain part of the brain at will and decipher which part of the brain pushes someone to become addicted to drugs. With a drug addict’s exposed brain, Thack pokes around with his little electrical stick and gets some feedback. Seeing the smile on his face is a memorable shift in his persona.

When a subway construction accident injures dozens of people, the Knick swings into action so does Soderbergh’s brilliant camera usage locks into gear. The theater is stuffed and the alternate rooms are stuffed with bleeding, heavily damaged and close to death folks. Soderbergh uses extended takes, shifting from Thack to Chickering to Edwards and over to Gallinger as they desperately try to save as many lives as possible. There were no IV’s, multiple operating rooms and machinery to combat a horrible accident with mass injuries and casualties. It was truly hands on.

The Thack Genius strikes again when he gets his probe back out and uses the electrical current and circuit to detect metal in the injured. When the probe touches it, the nurse gets a ring in her ear. Five hours after we opened with a painfully lost Thackery stuck in a rehab hospital, the doctor/surgeon has relocated that streak of greatness. Like a pitcher settling into his groove on a mound, Thack finds a way.

Do yourself a favor and watch Grey’s Anatomy and then watch The Knick. The differences in machinery, number of doctors, lack of racial wars and all the other restrictions there were in 1901 are remarkable. Also, one show is okay and one is fantastic.

Edwards has agreed to work with Doctor Chickering and use radium to try and cure his mother’s malignant tumor. Michael Angarano hasn’t gotten a lot of play until this development in the second season. The earnestness in the actor’s face is quickly transforming into a young Thack. Someone who is willing to take huge risks to save lives. A season ago, Bertie was afraid. He is no longer that man.

“The time to invest is when there is blood in the streets.”

Young Henry Robertson(Charles Aitken) doesn’t care about the setbacks in the subway construction. When his dad, August, wants to slow down the subway building, little ambitious Henry pushes back. He wants to plow ahead. And this was accurate in history. Death or high water, the construction continued. When the blood flowed, the interest in advancement was sustainable.

Thackery and Abby are getting closer and recapturing what was lost between them years ago. What was hinted at in Season 1 has been expanded upon in Season 2, showing a more tender side of the maverick doctor as he cures her disease and returns to her life. However, he can’t use drugs in her house. She has no idea he has figured out the exact way to stay even. Little cocaine for the sky high burst and the come back down effect of heroin. Seeing them kiss in the morning was bittersweet and makes me think something bad is on the horizon. People can’t be happy on this show.

Picture a dad and his two finest kids. That is Thackery and his two best doctors, Gallinger and Edwards. The two docs are intense rivals, with the first one edging to get closer and closer to Thackery and becoming his next in command. This may end in a death but only time will tell. They each want to be on the ground floor of Thack’s next discovery.

All hail Eve Hewson. As Nurse Lucy, a woman who has spent an extremely long amount of time loving men who don’t love her back. Now, Henry Robertson has a crush on her. A mad crush. He gets the episode title in describing the effect she has on him. “Whiplash”. Watching Hewson here, for once, she has the higher ground. She is in command. With Thack and Bertie, she had to do all the work and the falling hard. Here, good old Henry is chasing her. He has no idea who he is dealing with.

Back at the Barrow house, Herman is telling his kids goodnight and settling in for a cigar when Mrs. Barrow comes down to jump him for some surprise frisky time. Poor girl. She has no idea that her husband is scheming 24/7. He is scheming the construction of the new Knick. He is scheming his own wife out of a marriage by putting more passion into his prostitute/girlfriend. He’s also buying an apartment in the city for his girlfriend. He is a scheming pile of horse shit who the entire audience has to love to hate. He’s paid his debt to Ping Wu, but now wants to buy his woman’s escape from the business. What a bastard.  One day, Barrow will get what is coming to him.

Thackery performs the surgery on the addiction patient, locating the area that he believes houses the addiction. He cuts the small part of the brain out, knowingly overstepping the risks of rendering other parts of the brain deficient. He could cure his addiction but make his smile crooked or damage another area of the brain. For now, it’s a win for Thack until later he realizes the man doesn’t respond to a command. In the process of supposedly curing his addiction, he rendered him dead in other areas.

Gallinger, after meeting a doctor who supervised in lesser thinking boys(the not so smart crew) and wanted to take away their ability to reproduce. So Gallinger performs off the book vasectomies for this man. I bet this won’t go down well with Thackery or Edwards.

What did we learn this week? Thack has his groove back but he may be off in his chase to cure addiction. Gallinger is doing whatever he can to stay ahead of Edwards but may hurt his stature in the hospital. Lucy is pulling Henry in close, as the subway construction rages on. At The Knick, innovation is constant and always moving, sometimes faster than the doctors can keep up. If Natural Selection ever found a time to play a role in society, it was in New York in 1901.

The Leftovers on HBO: Hopelessness bliss

Quick Note to Leftovers fans: Justin Theroux’s Kevin, the fucked up centerpiece of HBO’s unpredictable marriage of Lost and The Twilight Zone, isn’t dead. Calm down. Regroup. Make more coffee. He wasn’t killed off on Sunday’s episode.

Yes, he did drink the poison glass in order to escape the Patti confrontations and restore order in his life. Yes, he did foam at the mouth Uma Thurman in Pulp Fiction style. No, the old wise man who promised to bring him back squirted the drug onto the floor and blew his head off. Yes, Kevin is more than likely alive and well. Co-creator Damon Lindelof didn’t kill his Matthew Fox 2.0 just yet. Take away Kevin and there’s plenty of juice dripping from the steak of HBO’s fall tentpole, but I can’t see a situation where it’s done in the second season.

Bold strokes keep a show like this afloat but with the season devoting so much time to the Kevin storyline, why would they just kill him off by drinking a glass of dirty magic water. That is no way to dish Jennifer Aniston’s new beau the death ticket. He will be back next week as Season 2 takes its final swings.

Part of the hysteria of watching an original piece of entertainment like HBO’s weirdo blend is having zero clue what is going to happen with the quiet assurance that every exit will be a big one. Lindelof has created along with Patrick Sommerville and novelist Tom Perrotta a series that asks the toughest questions without answering the obvious one. Such as, three years on October 15th, where did all those people go? The Departed, vanished, missing or all together gone up and burst into one puffy flakes folks. I prefer the answer to never drop because it will never match the hype that has built for over a year. Aliens would be lame. God stepping in for some weeding would be lame. A spiritual arrival would be lame. Miley Cyrus, Justin Bieber and Lady Gaga kidnapping thousands of folks from their homes would be twisted but still not work. The trick with the Leftovers is peering into the human soul via this organic plot device.

Take Theroux’s Kevin, a former cop who can’t find any inner peace because the woman he kidnapped while sleepwalking and saw commit suicide haunts his daily movements. Yeah, he sleepwalks so much that his girlfriend Nora needs to handcuff him to the bed. A predicament that set him back on Sunday’s episode. An episode that was devoted to the “Is Kevin a psycho or simply an innocent dead people viewer” conundrum. Apparently, it’s bad to tell your lover that there is another person in the room taunting them. It’s an even worse idea to tell them its the same person you watched stab herself in the throat. Especially if your lady is a woman who lost her entire family in the Departed and used to cure her pain by having strangers shoot her in the chest.

Tell me there isn’t a more romantic couple on television than the sleepwalking rippled arm Kevin and the former gunshot vested Nora. No way.

In trying to save that love and defy the idea that he is like his crazy people seeing father(Scott Glenn, missed this season), Kevin says yes to the old man’s wishes in drinking the poison to go fight his demons. He takes the plunge for love and sanity. Did he pay the ultimate price? No. Kevin is still alive folks. He may still be damaged, sweaty, and full of misery but he isn’t gone.

How good is the acting on Leftovers? It’s astonishing. It’s not just convincing. These actors meld themselves into the roles. A cast of ensemble performers, stage trained thespians, and names no one has seen on a poster before. Theroux, better known for his wife and the fact that he co-wrote Iron Man 2. Carrie Coon, known for playing Ben Affleck’s sister in Gone Girl. Christopher Eccleston(who may have stole the best episode from each season) from an assortment of supporting roles. Regina King, a face from film’s past. Amy Brenneman, who will always be Judging Amy to most and Robert DeNiro’s girlfriend from Heat. Kevin Carroll. Margaret Qualley. The gifted Ann Dowd. Several true actors and no stars. All going for broke for Lindelof’s spooky drama.

Every character on this show could carry the show for their own hour. Look at Eccleston’s solo act two weeks ago. The hour starting with the tale of Matt and his

What is next? I suppose Matt’s wife is going to get out of that wheelchair and convince everyone the holy man isn’t nuts. John is going to find out Kevin’s palm print was the one found on his missing daughter’s car. That should be a nice wakeup call for our poisoned anti-hero. Nora will come back to Kevin but that won’t end up. I suppose a front lawn boxing match with King’s Erika could suffice. The town will be revealed as bullshit by the end of season 2 due to the fact that the three girls supposedly disappeared. What if they didn’t though? What if the three girls ran away? If not, what is the real season 2 theme? Same old departure all over again. Kevin sleepwalking. Matt getting his wife pregnant. John and his anger management issues.

The biggest kick in Season 2’s story has been the strain that belief can put on the human soul. What if thousands of people flocked to one town because they thought it was safe? What if it wasn’t a miracle and just a chance encounter with luck? What if John’s angry firefighting ex-con is right and it’s all made up. Isn’t that a direct tie to religion general? A bunch of people thinking someone above them is in control instead of themselves. That a higher power is their reason for what happened three years ago. What will be the big reveal of Season 2’s finale?

Maybe the cast will just act the shit out of their scenes, present new twists for Season 3 and retain our attention. The greatness of a TV show like the Leftovers is making the viewer think a little while examining their own needs and identity. This show will turn the tables on you more than once.

The show has gotten better this year. It was always interesting and wacky fun in Season 1, but this year the complexity has developed. The second act has been more invigorating, intense and well put together than the first season. As long as the season doesn’t end on a major cliffhanger and doesn’t show Aliens sucking people into the sky, The Leftovers will have survived the dreaded sophomore curse(looking at you True Detective). 

Speaking of that recent HBO misfire, Lindelof is chasing the same themes that Nic Pizzolatto did on True Detective. Loss, abandonment, false sense of security, meaning of life, destiny, desolation, and the idea of living with what you are in this world. One creator is doing a better job of expanding on his story than the other. Instead of focusing on the “what”, Damon Lindelof is keeping his focus on the characters and their plight.

And one more time. Kevin isn’t dead.

The Knick reviewcap: Getting the best the hard way

the-knick-god-has-a-rivalWelcome to the Buffa reviewcap, where I blend the idea of covering a TV show without being boring about it. As in “here is what happened and let’s see if you are still awake.” I like to review the episode while pondering what just happened. Here is what I took from Season 2, episode 3, entitled “Best of the Best with the Best”

Thackery and addiction reaches testing

The rabid doctor is taking a full swing at this curing addiction thing and why not. Here is a brilliant man hospitalized for taking too many drugs who was broken out to come back to work and do more drugs to find a cure. The episode opens with him snorting a combination of heroin and cocaine. One thought runs through our head thinking is he just doing this to get by or is he really trying to solve something? The doctor is not quite back in yet. He’s hovering around sanity on a drug high.

Poor Chickering

The young doctor has joined the stiff pencil “other” Dr. Levi Zinberg(Michael Nathanson) across town and now gets pushed to the back of the crowd, performing low liability surgeries and working his way back up. When he tells his colleagues to call him “Bertie”, the chief of surgery correct him. He is “Dr. Chickering”. Buddy, the place is called Mount Cyanide. What did you expect? Everything about Cyanide is stiff and bitter, as opposed to The Knick, where it’s all loose and easy. Surgeries in the basement, cocaine snorting in the lab and other fun shit. It’s 1901 and you may die before you are 40 so what the fuck?

Dr. Edwards burns for ambition and other things

Cornelia and the doctor have no idea how the Inspector popped up on the shore dead, but that doesn’t mean they can’t share a kiss. So much tough here. Two people who are forbidden to be together yet have that burning desire and have already produced a child(albeit short lived) together. Drama!

Gallinger has his wife back…sort of

Dr. Everett Gallinger has his wife back. She has new teeth but possible a head that is still scrambled. A doctor who is doing everything to recover his status at the hospital while searching for his sanity at home. Every character on the Knick has a few shades of grey and a complete dark area.

Take Nurse Lucy for example. She loves Thackery, feels safe around Birdie, and is trying to reconnect with her father. Geeeezzz!

A death at the hospital Thackery was at leaves a door open for him to experiment on the dead girl and see if his “addiction theory” has any legs or is just a chance to get high. He gets consent to operate on the girl as long as the face is left alone. The coldness back then was prevalent and the search for decency was a short wick away from it.

Sister Harriet is still in chains at pre-trail with a high priced lawyer who hasn’t seen a bit of cash due to Tom Cleary’s lack of funds. When the lawyer fumbles his case, the judge takes a chance to slam Harriet. This is a personal vendetta for the judge. Back in the early 1901, abortion was pure murder and there was no place for it. As if Harriet needed another block in front of her freedom, the judge is not standing firmly against her.

I love Cleary. Here is a tough, bitter, imperfect yet passionate man. The first few episodes of Season 1 made him out to be an asshole and someone who cared little for anything not resembling a coin. As the season progressed, we saw his friendship with Harriet blossom into one of the best things about the show. An ambulance driving bear and a decent yet rule bending nun. Only on the Knick.

Gallinger walks into a room full of diplomats, political wannabes and talky peeps and basically says, “You just don’t like black people”. Remember in Season 1 when Gallinger was on the other side. Slowly, he is turning into something else. The situation with his wife Eleanor is changing him from coldly ambitious to something different.

Lucy’s healer dad is at it again, and she sits there waiting for forgiveness. Will he provide her with peace of mind or blaze her in front of his followers? He waits until later when he is counting his winnings from the gathering to broil her for her sins. He beats her and whips her as well, making her feel ashamed for her drug infused binder with Thackery. For Healers, you can’t make any mistakes.

Bertie is courting the writer covering his new hospital and trying to distance himself from The Knick.

Cornelia tries to ask her husband to help with Sister Harriet’s case and gets rebuffed for wanting to help a baby killer. Too bad he doesn’t know Harriet helped kill her baby. HA!

Tyler Bates’ score is so good. A hypnotic blend with a procedural heart to it. Clive Owen’s haunted face stalks the parlor for a woman to do drugs with and have some sex and you just go with it due to Owen’s ability to hold your attention no matter what he does. Afterwards, he winds up at Abby’s home. His long lost love who he is helping with her nose procedure. A beautiful woman with a terrible disease that Thackery never feels like he can help enough.

Edwards and Gallinger continue to battle in the theater over live bodies. This war has raged since season 1, and it only gets worse when Thackery continues to choose the black doctor genius over the esteemed white male prototype. Gallinger angles towards the “I saved you” route and sets himself up to be launched by Thack. It is Edwards that has discovered, tested and proved procedure after procedure, while Gallinger was tending to his sick wife and emotions. “Jealousy won’t suit you here as much as drive and ambition.” The writing of Jack Amiel and Michael Begler is so good during the showdowns between doctors. It’s never over the top.

Driven by his need to help Abby, Thack wants to cure syphilis, a terrible disease that claimed many lives during that period. In order to do this, Thack would need to nearly cook the patient at a 107 degrees Fahrenheit. Baking the disease. Edwards persuades him to attack malaria first to find a perfect method. Here is a case where each of these doctors is threatened by the other but also pushed in the best way. Edwards wants to be Thack but can’t move past him. Thack wants to be the first to everything and he needs Edwards.

You fight cocaine addiction with heroin and try to take down syphilis with malaria. Back in 1901, you used one evil to kill another. Old school shit ladies and gents!

Herman Barrow is a bastard! He wants top of the line materials for the new Knick up town and the architect is curious as to why. Barrow also wants to slow construction down, and all this has to be leading to him slipping more money under the table and back to himself. Something is always tricky and slimy with Barrow. Right when he thinks he has the construction where he needs them, an old haunt shows up. Apparently, one of Bunky’s men didn’t die and now has new accounts at Tammany Hall. Old habits don’t die after all. James Fester is out for Barrow, further cementing the fact that you can be slippery in life but there’s no way you are escaping your past. He can’t get his girl at the brothel and he owes money to everyone in town.

Cleary needs drugs. Speed. Adrenaline. Anything to get his fighter to win a match and score the bear some cash. He cons a nurse into giving him a couple boxes to keep on the carriage to help a dying patient. Everyone on this show is selling something. A faulty story, wish, need, or a need to be recognized. Maybe just survival. Cleary’s fighter wins but has a heart attack afterwards and dies. There are no victories on The Knick.

Dr. Edwards has a bum eye, a grudge at work, enough ambition to fill a warehouse but he also has a wife back to scam him. His parents have no idea who she is, and Edwards tells them he met her in Paris when medicine was going well and he was happy. When he decided to jet and come to New York, he basically left her. She is back to wreak havoc and Edwards’ already fractured existence just got an extra kick of drama.

Line of the week from Cleary after dropping a body off for Thack to dissect-“If people knew what you did in here, they wouldn’t trust you to give them a fucking aspirin.”

Come back next week for more Knick examinations. As the promo in Season 1 said, modern medicine had to start somewhere.

NBC’s The Player: Gone too soon?

Strike one, Wesley Snipes.

The former cinematic action star got his first red pen “x” placed on his television resume last week when NBC trimmed the order on The Player to nine episodes instead of 13. That is a nice way of canceling a show. It will air its final episode on November 19th, tentatively. That is when networks shows start to take that midseason break and let reruns fire up or possibly new shows, like Shades of Blue, bloom a bit. The Jennifer Lopez cop drama will take over the coveted Thursday Blacklist exit spot at 9pm central in January, effectively ending Snipes first foray into the tube. Was it too soon?

No. The show was entertaining at times but far too often, repetitive and with a plot more flimsy than Snipes’ acting chops or overly choreographed fight scenes. It carried zero juice, the thing that gets people to stick around and see where your story goes. The Player was flat. A dud. Every week it came on, you though to yourself, “Will this episode reveal anything new or just produce an exciting shootout?”

In the Strikeback NBC showdown, Philip Winchester lost out to Sullivan Stapleton. The latter’s show, Blindspot, has been wildly successful and got picked up for a full 22 episodes. Sullivan got a better show than his former co-star. Blindspot has a sharper premise, a better cast and a lot of avenues for its story to grow. It’s also not as contrived. It’s still network familiar but it’s intriguing.

What happens to Snipes now? A few more direct to DVD action fests before another chance presents itself. If Christian Slater can get three chances at a TV series, Snipes can get a couple. He should just bring Blade to TV. Get it over with.

Did you like The Player? Are you sad to see it go?

Have a TV and the time? Watch Ed Burns’ Public Morals

public-morals-posterA great new TV show reminds you of a great movie or show from the past while providing a fresh coat of paint to remind you what you are seeing is genuine. Edward Burns’ brilliant new show on TNT, Public Morals, wrapped up its first season Tuesday night.

It ended leaving the viewer wanting more and needing a few more hours with the characters that Burns created from the brush strokes of his father(a former cop) telling him stories from his time on the job. With Burns, you get two things. Authenticity and confidence. A seasoned storyteller, he doesn’t waste a single shot.

Season 1 opened with the streets of the Hell’s Kitchen seemingly being held in check by Terry Muldoon(Burns) and his crew from the Public Morals division. They aren’t just badges covered in suits. They are everything that exists between the hammer of a judge’s gavel to the darkness seen under the front tip of a fedora to the person who may bail you out of trouble. Some may call them corrupt but back then they were the owners of the streets that dictated where the rule breakers could do their business. As Burns explained to a new young officer in the PMD, Shea(Brian Wiles) in the penultimate episode, “There are laws and there are rules. Over time, you’ll understand the difference.” The Public Morals Division determines where the laws end and the rules begin.

All of that gets messy when Muldoon’s uncle, Mr. O(Timothy Hutton) gets killed and a street war erupts thanks to the explosive powers of Rusty Patton(silver steel eyed Neal McDonaugh, who bumped against Raylan Givens on Justified). Alliances are tested and more murders follows Mr. O’s, which puts a strain on the PMD. Thanks to Burns, the chase and pursuit of Rusty never takes center stage and every character is allowed time to get flushed out so the cardboard can’t be found in any crease, crack or corner of this show. Burns knows how to cast people who fit their roles and allow the audience to fail to see an actor and instead a convincing performance.

Burns is the anchor that guides this ship. As Muldoon, he is neither sympathetic or sinister but blunt throughout. The understated actor truly has a gift of delivering dialogue without overacting or squeezing too much juice from the lines. To say he was born to play the leader of this pack is like saying New York Mets’ hero Daniel Murphy was kind of made for the postseason spotlight. It just fits.

The rest of the cast is handpicked with style and reason. Take Michael Rapaport’s Charlie Bullman, Muldoon’s second in command and hard charging tough guy. He talks like a Hell’s Kitchen refugee, pushes Shea around and seems to be tougher than the hardest nail but he has a soft spot for a hooker he can’t resist helping. There’s the young gun, Sean O’Bannon(Austin Stowell, who you will see in theaters this week in Bridge of Spies), a man too dangerous to be a cop and too noble to be a crook. He’s also Mr. O’s son, which puts a healthy spin on things. The other guys in the division(the joker Patrick Murney and the wild man Wass Stevens) feel like they walked off a bus that time traveled from the 1960’s. Peter Gerety is a gem as Muldoon’s father, a former badge who can’t seem to let go of the job or trust that his son is doing the right thing.

Don’t forget firecrackers like Aaron Dean Eisenberg as Richie Kane, a man out for revenge, control, power and anything else he can handle. Here is a guy who doesn’t engage in a gun fight in a hallway until he puts on his fedora and leather jacket. A guy who stabs a man in a street and rolls him under a bus. There’s a scene involving Kane and a few guys in a bar that reminded me of Steven Seagal’s Out for Justice. You’ll get a lot of throwbacks here. There are hints of Goodfellas, Mean Streets, The Godfather, and other classics on display.

The ladies on the show aren’t just femme fatales worthy but strong women. Elizabeth Masucci is Muldoon’s wife, a woman desperate to get her kids out of a dangerous place. Katrina Bowden is Fortune, the girl rocking Bullman’s world in more ways than one. Lyndon Smith pretty much steals the last episode as Dee, Sean’s on/off again woman who holds a secret from him as Season 1 closes. The men may hold the firepower, but the ladies are just as dangerous in this world.

The real gem of Season 1 is Brian Dennehy as Joe Patton, Rusty’s father and kingpin of the Kitchen. Imagine an older Michael Corleone mixed with his father Don but more tired, and you have Dennehy’s Patton. He rocks an Irish accent like you never saw him in First Blood and makes you feel his bleeding heart as his choices shrink in the final hours. After being gone for a little while, Dennehy’s roars back with his work here.

Season 1 doesn’t end with all cases resolved. There isn’t a big showdown between Terry and Rusty. Richie doesn’t get his day in court. There isn’t a shootout in a train station(sorry Untouchables fans). No churches get shot up. The first season ends with a quiet scene between a man and a woman working in opposite worlds who nearly light a fire around their lives. It ends abruptly and without closure, leaving you wanting more. There’s more story to tell, folks. Hell’s Kitchen wasn’t tamed with a ten hour binge. There’s life left in these legs and you’ll want more. Trust me.

public-moralsAs you watch, you’ll know it counts. All his life, Burns wanted to make the Irish American gangster/cop saga, an equivalent to Martin Scorsese’s Italian American films. He had scripts upon scripts of nearly made stories. Dusty stacks of paper called Stoolie and No Sleep Til Brooklyn(Get the full story in Burns’ book, Independent Ed).

It wasn’t until he met Steven Spielberg on the set of Saving Private Ryan that Public Morals got its first tank of gas.  Spielberg helped the show find TNT and eventually, get its legs and find the air. Nearly two decades later, the show has arrived and if TNT is smart, they’ll set these plain clothes badges on the loose next year for Season 2.

Public Morals unleashes a wave of nostalgia over the viewer while putting a fresh spin on the hoods, badges and reckless world of the 1960’s. Pulled from his dad’s stories on the job, Edward Burns has created what could be his masterpiece if TNT allows him to finish the story. It’s classy, powerful, expertly written and authentically pieced together with stellar acting to steer the ship.

It has the same kind of Tommy Gun rapid fire dialogue from his early works like Brothers McMullen and She’s The One, but it’s infused with a hyper kinetic tribute to the tough guys of the 60’s who backed up their talk with action. If you are a Burns’ fan, this will go down like a perfectly cooked steak. If you don’t, it may convince you what you have been missing.

Towards the end of the season finale, the baddest gun on the show who goes by the name Monk(the larger than life Ray Wiederhold), tells a guy before he takes away the rest of his life and buries his memories, “As long as I have a thought and a soul”. That’s how I sell this show. If you have a TV and the time, take a trip to the opposite side of town that Mad Men took place on, the hardened bloody streets of Hell’s Kitchen. Where the good guys carried an extra shade of grey, the women took advantage of that anger and power, and the bad guys scrambled to stay in the game.

If you haven’t watched,  I suggest you grab a blanket, some strong coffee and go catch up. Like now. It’s got class, patience, precise action and a wise guy spirit.

imageThank you for this, Ed.

The Knick on Cinemax: “Ten Knots” for a ride home

The-Knick-season-2Sometimes your worst enemy can be your next breakthrough. For Thackery, his poisonous descent into drug addiction left him in Cromartie Hospital at the end of Season 1 and Season 2’s opening frame finds the viewer resting on Thack’s current condition. Feeling good but in what way? He may be clean from cocaine but heroin is his new mistress to numb the pain of normal society. He isn’t getting any cleaner and that is the premise that drives the opening our of Steven Soderbergh’s second season of The Knick. What does clean mean if you are still addicted to a drug? Thack opened Season 1 on top of the world and in charge of the theater. Season 2 finds him fractured in both mental and physical capacities.

Here’s the catch. Thackery doesn’t want to leave the hospital any time soon. He tells the visiting Everett(Eric Johnson) that they treat them like mice but he likes the joint anyway. He spends his hours testing out new procedures on patients, fumbling around with paper until his next dose and feels like the environment suits him. This is where Clive Owen’s genius is realized. Bumping around as if gravity didn’t exist, the most brilliant and reckless doctor is a willing puppet. Gallinger has a remedy for that and it’s not speeding up Thack’s next serving of heroin. You see, Gallinger is a man who needs Thack in order to recover his spot at the Knick and in order to bring stability back to his life. After the death of his newborn baby in Season 1 and the deterioration of his wife afterwards, he needs Thack.

Elsewhere at The Knick, things have changed, for better or worse.

Dr. Edwards(Andre Holland) was left bloodied in a street fight at the end of Season 1 but now he is the interim chief of surgery and has steered the hospital in a great direction. He makes new discoveries every day and has welcome Dr. Chickering(Michael Angarano) back into the fold as an understudy/protege. Bertie has changed, having grown from innocent and ambitious learner into a chillier human being. Like a turtle restricting back into his shell, he denies a birthday gift from the still torn Nurse Lucy(Eve Hewson).

Edwards wants to make a move to become the permanent chief, but the board of directors have other plans. The scheming Barrow(Jeremy Bobb) wants to bring someone else in, preferably not “black”. While brilliant, Edwards knows that the color of his skin will restrict him from advancing in medicine. Being in 1901, African Americans didn’t even have an opportunity to reach anywhere inside a hospital except for scooping coal into the furnace in the basement. He’s a man in the wrong era with a unique set of skills. Due to his idiotic ordeals in the streets fighting, he also has a detached retina that may never properly heal. For now, he drops medicine into an eye that may keep him from making history. A doctor’s eyes are as important as his hands.

Cornelia(Juliet Rylance) is still trying to do good deeds, and when she brings food and supplies into Chinatown for the impoverished to consume, her carriage is overrun by wild hungry folks who don’t care about being fair. Decency lies a distant 2nd to natural selection.

The new Knick is coming along and Barrow is asking for top dollar architects, construction crews and supplies. He hasn’t turned over a new leaf and thinking about patients or his staff. Barrow still owes lots of money and while he wants to help his facility, he has to be playing an angle. He doesn’t like when a call from Dr. Hackett, the physician treating Thackery informs him that the doctor has disappeared suddenly from Cromartie.

Meanwhile, Thack wakes up on a boat and he is tied up. An outside shot shows the boat alone in a monstrous sea between waves. He has been kidnapped by Gallinger, and has no choice. The facility is way behind them and in order to get healthy and go home, he has to tie ten knots. Something that all sailors learn how to do in order to properly handle the sea. He has no choice. It’s either do this or sail forever. No drugs. Nothing. A pale white empty vessel of flesh, Thack goes to work. In doing this, Gallinger is bringing back the chief that the directors want and a tactic that will derail Edwards’ ultimate plan to take over. If he is going to get Thack clean, he must get the doctor back to level ground and get control back in his hands. Tying the knots will reestablish control.

One of the best parts of season 1 was the burgeoning friendship that developed between Sister Harriet(Cara Seymour) and Tom Cleary(Chris Sullivan). The bullied vulgar yet soft hearted ambulance rider for the Knick found an equal in Harriet and they performed abortions together on the side. When he got drunk, she did a job alone and walked into a trap. Now she is in jail and a saddened Cleary visits her in jail, telling her about his plan to try and get out free of the charges. It won’t be easy due to the ridicule that abortions carried but Cleary is going to figure something out. After all, he feels halfway responsible for her condition. In trying to raise money, he unsuccessfully promotes and trains a local wrestler. Somehow, Cleary will try to free his unlikely friend and ally.

“Get well or jump off.”-Gallinger

As he ties his knots, Thackery has a new goal. Cure addiction. A man who has seen the devil up close and can’t quit a drug has few options. He could remain addicted and do enough drugs until his brain is scrambled, his genius has dissolved and his life ends. Or he could try to cure himself and millions of others. After he ties the tenth knot, he sees a woman. The woman is someone Thack saw die on his table due to his addiction.

Did I miss anything? Sure I did. I won’t cover every bit of the 53 minute episodes. I’ll chat about the parts that made a dent and stuck in my mind days later. This isn’t a recap. It’s a weekly review and breakdown. Take it or leave it. Soderbergh has something special here. At least he hands the audience a scalpel.

The Knick isn’t a mesmerizing show but that is only because it has room to grow and story to tell. The cinematography, costume design, sets and feel color the show in gray doom. The writing and directing is cold and assured. The acting is perfectly rendered but it hasn’t touched greatness yet. It’s a compelling show that like its main character, still has a discovery to make.

I look forward to spending a few more hours in Soderbergh’s hypnotic world this winter.

Cinemax’s hypnotic “The Knick” is educational and unpredictable

When director Steven Soderbergh and Clive Owen went to Cinemax with their 1900’s set television series about imperfect doctors and surgeons saving lives and destroying themselves in New York, people were surprised. Rightfully. Cinemax had a handful of series to its name, including the breakout smash hit, Banshee. For Oscar caliber actors and directors to set up shop there was a huge turning point for the premium cable provider. After years of lurking in the shadows behind its brother affiliate, HBO, shows like The Knick have put Cinemax on the map and for good reason. It’s a brilliant, fresh, and different kind of TV show. As Season 2 debuts this week, let’s talk about the Knick.

If you are bored of the elementary “been there seen that” network television fall schedule, give The Knick a look. Here’s a show that takes you back to the age where technology and equipment didn’t save lives. Doctors, surgeons and nurses did it with their bare hands. This is where the birth of the X-Ray machine is treated like a revolutionary movement and where a device with an ability to suction the fluid out of a body being operated on is treated with a wide gaze of amazement.

The plot of The Knick is simplistic enough to support the amazing history lesson being dished out. Clive Owen’s Dr. Thackery is the most talented and revered blade in the land, the last stop to save a life. His consists of Dr. Gallinger(Eric Johnson) and Dr. Bertie Chickering Jr.(Michael Angarano). The arrival of the brilliant yet unrecognized Dr. Algeron Edwards(Andre Holland) throws a wrench into this team and also helps them evolve as doctors. The bigger problem is Thackery’s substance abuse problem.

There are plenty of players in this show. There’s also the tough yet tender heart of Chris Sullivan’s Cleary, a man who collects bodies yet cares for just a few. There’s Barrow, the boss of the Knick who is up to his knees in gambling debts and has a complexity to his ambition that keeps you watching. There’s Eve Hewson’s Nurse Lucy, a woman torn between her love for Thack and her own well being. This show balances plot threads, historical reveals and the up and down torment of Thackery seamlessly.

Creators Jack Amiel and Michael Begler work with Soderbergh(who directed all 20 episodes) to create a world that feels like it existed in real life and also came to life in somebody’s imagination. It’s cold, wet, blurry, black and blue, and full of lust and ambition.

When he isn’t making breakthroughs in medicine or saving lives in “the theater”, Thackery fancies him some opium, among other drugs. He can relax in a brothel or he can shoot the stuff into his toes before surgeries. Here is the world’s most imperfect man doing God’s work but also tempting fate every time he gets high. Flawed people doing great work while destroying themselves in the process. Instead of worrying about losing a patient on the table, Thackery is afraid of being outdone by rival doctors and losing grasp of his legacy. As Season 1 progressed, Thackery’s condition worsened as he became addicted to cocaine.

It’s a treat to watch an amazing actor of Owen’s depth rip into this role. While he has given high quality performances before, Thack is a role that allows every inch of The Brit’s charisma, ferocity and madness to shine. You feel like you are seeing this actor for the first time come alive in front of you. If there was ever a role to match virtuoso, it’s Owen on The Knick.

The real star of this show may be Soderbergh himself. Along with directing, he creates the beautifully blunt cinematography and edits the series as well. It’s an all hands on deck operation and Soderbergh has found his groove in a place few expected to find him. Ask me and Cinemax fits him more than one would think. It’s edgy without being showy. The Knick has depth without being overly complex. As most cable shows are, The Knick feels like a ten hour film slowly dealt out to viewers. It’s unpredictable and raw.

The Knick, in more ways than one, is the show I have been waiting for. While I liked parts of Greys Anatomy and ER, I had a desire for a real look inside a hospital. A blunt knife instead of a bendable toy. Soderbergh, Amiel and Begler’s show pulls zero punches and doesn’t let their characters off the hook. If you think Owen’s mad hatter gets clean in Season 2, you are wrong. If you think Lucy figures things out over a latte and friends, you are wrong. The Knick takes you back to a day and age where nothing was guaranteed and that includes your 30’s. Diseases won the fights back then and people like Thackery and Edwards could only throw as many punches as they could.

the-knick-god-has-a-rival

Do yourself a favor. Watch the first season of The Knick and then go walk into a modern hospital. If that isn’t a trip, I don’t know what is.

Banshee’s final season trailer: And hell burned with him

Gregory Shummon/Cinemax
Gregory Shummon/Cinemax

January 29th, 2016. The final season of Cinemax’s wonderfully pulp smash hit, Banshee, fires up its fourth and final season. Like a steak getting thrown on a grill, this final season has many flavors that the creators and cast hope to contain before the episodes unfold. For now, all fans can do is sit at their computer screen and watch this brand new trailer(which debuted at New York’s Comic Con this past week) about 57 times and smolder in anticipation. The best shows leave just enough juice dripping next to their audiences outstretched hands. Here’s what I got from the 72 second clip.

*Job’s captor has been found, captured and punched. The clip opens with Lucas, Carrie, and Sugar overlooking Stowe’s techie dude who drugged and snatched the lovable Job at the end of Season 3’s climatic shootout. Will he tell them where Job is? Does he even know? Is Dalton involved? Does anyone know where Jimmy Hoffa is while we are on the subject? I kid, I kid. The location of Hoon Lee’s irreplaceable(yeah you can replace Spider Man and Batman 30 times but you CAN NOT replace Job) hacker is the centerpiece of Season 4’s beginning.

“Let’s finish it.” A sense of finality overwhelms this trailer and truly informs the viewer these worlds are colliding fast and ending with brute force.

*Carrie’s loading up with guns. Why not? She wants to know where Job is and for good reason. Ever since he judged her outfit that first night in the club before the jewel heist, he has been family to our beloved safecracker. Job got Ana a new life and a way out way back when before Lucas(or Gary?) got out of prison and brought hell with him. She lost Gordon at the end of Season 3 and is pissed. She still has her kids, but I feel like this Carrie has more edge and spice to her than ever. And Ivana Milicevic is a badass. She needs to be in more movies. In black leather. Kicking, punching and shooting devilish stares at people. The world may spin properly.

*Hey, Lucas has hair! What the heck? Who hid the razor!?! I actually like the new look on our rugged sinner with a heart of gold, Mr. Hood. Lawmen have to look tidy and sharp, and Lucas is a badge no more. Why is Lucas Hood so invigorating to watch? Well, Antony Starr spends 365 days a year figuring out new ways to be awesome at this role that millions adore and the work shows in every scene. The way he looks at the camera in front of the police photo booth. The way he can stare at someone and seem to be mentally kicking their butt. Our scrappy Rocky with a chip on his shoulder won’t stop fighting until he feels like everyone in his life is safe. In Banshee, that’s scheduled for sometime in 2025. Good luck, Lucas. It’s a good thing we like watching him take a punch. He doesn’t know how to quit wrecking lives and the audience doesn’t know how to stop watching him do it. Wish the marriage could go on but the world isn’t supposed to be perfect so….

“I won’t give it(Banshee) up without a fight.” The soulful and much needed presence of Matt Servitto’s Brock Lotus seems to be talking to Lucas here about a final plea to defend his town, Banshee. There seems to be a mysterious character in a hoodie that shows up to make Brock’s life a living hell here. The crutch of the show’s immorality and violence is Brock and his desire to not just partake in the madness but try to understand it. The way he asked Lucas in New Orleans about WHY they do what they do and go after the revenge. The bridge between justice and revenge…how small or long is it? At the heart of that question is Servitto’s cop who desperately clings to the goodness left in him.

*Hello Eliza Dushku. She enters the picture as Special Agent Veronica Dawson. She specializes in violent crimes, which means she showed up to Banshee 30 hours late. She is going to be a thorn in Brock, Lucas, Kai Proctor and pretty much anyone who harms another this season. I haven’t seen enough of this talented actress lately but I am glad she is in town bleeding and fighting with the rest. It isn’t like she is beautiful or anything to boot.

*What’s happening with the Proctor clan tripod? What are Matthew Rauch’s Clay Burton and Lili Simmons’ Rebecca Bowman doing behind Proctor’s back that makes her worry? Are they dealing drugs behind his back? Is there is a breakdown in the deal with the Armenians? As always, strange dealings there.

*I don’t care if they left Season 3 sitting next to each other on a piece of lumber without the need to punch each other. Lucas and Kai are going to clash. The three seasons have danced around them like a devil around a fire and they will lock horns. Lucas just doesn’t have to worry about the badge getting in the way but, as we see him being hauled in by Brock, maybe he finds himself back in a cage for the first time since he left prison. Agent Dawson is right. There is more criminal than cop in Lucas and that is why she should be worried about him the most.

It’s always the evil side of humans that sneaks up on people. Especially between men and women. What an interesting dance of feels. Everybody has a choice to be good or bad, but the cruelness of humans always cuts deeper at first sight. Write that down, Agent Dawson.

“Power comes from being willing to do whatever it takes.” You are right Mr. Chris Coy, coming back at Kurt Bunker’s evil brother who left a smoky stamp on the deputy’s chest at the end of season 3. He may be a bad man, but he knows what it takes to stand on top. You have to refuse to see the harm you are doing because you believe that it is the right path to ride out.

What else?

*Proctor talking to Carrie for the first time, reminding her that kids’ futures are at stake.

*Carrie rocking a torch. Yeah, there’s nothing Milicevic(get her name right or she’ll knock you out) can’t do.

*Burton breaks out the chainsaw because…well, Burton likes chainsaws. Not sure why it took the bosses three years to make Matty Rauch a regular. He’s a much needed batch of mystery! For anyone who may get the opportunity to talk to Rauch in real life, he’s a prince!

“So what happens now? 

“Revenge.”

The best dishes on television are indeed served cold my friends. Creator Jonathan Tropper, producer/director O.C. Madsen and producer/writer Adam Targum aren’t going to let us off easily. Whatever happens to Job, Brock or Carrie, Lucas and company will avenge it. The signature concoction of Banshee is imperfect people waging war against others and within themselves. He can do a lot of bad things and make a terrible decision every episode, but at the heart of Lucas Hood’s madness is a guy wanting to protect what he loves, no matter what. His final fight with his enemies and himself will be one for the record books. On January 29th, it all starts. I’d start preparing now.

Watch the trailer for yourself.

Thanks for reading.

-DLB

The Player: 5 Things We Learned

Don’t think. Just sit and be entertained by NBC’s The Player. It’s a guilty pleasure. An action adventure built to thrill and not boggle viewers down with complexity. There are some juice in these dice if you care to watch and be sucked in every Thursday night. Here are the five things we learned from Episode 2, “Ante Up”.

*Philip Winchester is a bona fide action star built for the 1980’s but doing fine here. Every time I see him swing into action as Alex Kane, the man of mystery thrust into a different “game” every week, I see a shade of Dolph Lundgren mixed with a young Kurt Russell. He’s got the goods, and he showed it on Cinemax’s Strikeback. Here is an actor who won’t win an Emmy award but will make action junkies like myself feel a wave of nostalgia for the old action heroes. The men who said little and punched harder. Winchester makes this show go. Built like a brick house and carrying more charm than needed and an edge, he does more than enough here.

*Point Break tributes are still legal, right? This week, Alex was matched against an old war buddy and opened up a chase that started on the strip and ended in the desert.  In particular, a scene where Winchester’s Kane jumps out of an airplane sans parachute after his guy. If that doesn’t get you feeling the firepower goosebumps, I am not sure what will.

*The lingering question of whether Kane’s wife Jenny is dead is a boiling pot, and something that Wesley Snipes’ Mr. Johnson will help Kane track down and solve. The minute she was shot in the pilot, I smelt something cooking that wasn’t ready to eat yet and could add a layer of intrigue to an otherwise procedural type series. Jenny is alive and Alex and his handler will solve it.

*You can’t trust anyone on the show and that will continue week to week. Something about Johnson’s assistant and tech savvy pretty lady Cassandra makes me think she has a few dirty skeletons in her closet. Her relationship with Jenny, her quick to trigger handle nudge in her home and her overall ability to control the game. Keep some eyes on her.

*Snipes offers a few coats of paint on Johnson and that’s fine. While his face and name are plastered all over the hype of this show, Snipes is a supporting character and it’s a good thing. He gets his one little quick fight exchange and that’s enough to propel Alex’s story. That doesn’t mean the audience doesn’t want to know how deep Johnson’s connections go and how his past steered him to Vegas.  Keep an eye on him as well.

Winchester muscle. Snipes flavor. Dangerous ladies. Easy to digest plots with above average network action. This NBC cheeseburger is tasting more well done with each hour. “Ante up” was better than the pilot. Let’s hope hour three just keeps getting better and better.

I’m in for more Player. Are you?