Television series creators are architects of make-believe. They attempt to build new roads to familiar places that we know well, but haven’t seen designed quite this way before. Let me break it down for you.
Every year, hundreds of new television series are created and dropped into our living rooms with the hopes of hooking our interest. Some start slow, while others move quicker out of the gate to engage the mind. Few actually forge a connection, and that’s because we’ve seen it all. The plot will appear familiar at some point, or the characters will be wooden or bland, losing our interest. Conviction isn’t easy to maintain, because in order to be compelling, you must do something different and deliver some unique and original, because unlike the movies, this will last up to ten hours and take up over two months of our time (unless it’s Netflix).
Damon Lindelof created an immensely popular series in Lost, but I don’t think he knew how to end it. Sometimes, television creators run a horse out of the gate with good intentions, but once it reaches a certain point, the previously juicy idea can run dry, and overthinking follows. With his second series, The Leftovers, reaching its conclusion Sunday night, Lindelof has delivered a finale worthy of praise, observation, and hopefully some studying from ambitious storytellers. Continue reading “‘The Leftovers’: One of the best series finales of all time”