‘Blade Runner 2049’: An art house film masquerading as a blockbuster

Fuck the box office, this is a masterpiece!

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Fuck you, box office numbers!

When Blade Runner 2049 ended and the credits rolled, I was ready to watch it again. I didn’t want to leave the brilliantly crafted world of visionary director Denis Villenueve.

That’s how good this movie is. A sequel made for a reason and executed in a way that makes you want to watch the 1982 original with a fresh palette and wonder about the years in between and how they connect to to this new adventure, but also creating an entirely new and highly invigorating world to dive into.

The story picks up in California in 2049, with a younger blade runner named K (Ryan Gosling) tying up old loose ends for a new boss, Lieutenant Joshi (Robin Wright, appearing in everything these days). Times have changed since Rick Deckard vanished 35 years ago. After the blackout wiped everyone out, a new manufacturer named Niander Wallace (Jared Leto) is bio-engineering new replicants-and doing so with more sinister plans, causing K and Joshi to work in between the lines of good and bad intentions.

When a dark secret is brought to light by K that could change the game, he enlists the help of Deckard to bring down the bad guys. What follows is a good old fashioned adventure-and one with a huge functioning brain. Continue reading “‘Blade Runner 2049’: An art house film masquerading as a blockbuster”