Tag: Natalie Martinez

Kingdom On Audience: Episode 208 review-cap

“Guys like me don’t get rich. They get by with bloody knuckles.”-Alvey Kulina

CQ_pxHnUsAASbySWhen episode 208 of Kingdom opens, Alvey Kulina(Frank Grillo) is talking to his shrink but he could just be talking to himself in a mirror. At some point in life, we figure out that we are who we are. Nothing is changing. A person can’t be rewired to act differently. Alvey is faced with these facts as Lisa has been gone for weeks, staying in her dad’s condo with the pregnancy entering its final stages. What is a fighter when everything outside the ring has been taken away. He has his fists and need to impose his will on whoever comes into his path. Luckily this week, Alvey has Alicia(Natalie Martinez) to train and prepare for her big exhibition fight.

Alicia’s big debut was just one of many big moments this week on Kingdom. With every hour that passes by, creator Byron Balasco seems to be loading up for the big punch and in this hour, he unleashes a deadly hook to viewers with the Jay Kulina(Jonathan Tucker)/Christina(Joanna Going) story line.

The Jay/Christina subplot has been simmering since late season 1 when the kid pulled his mom off the streets and cleaned her up. Their relationship is built on a foundation of trust but what happens when that trust is betrayed. Christina quit her job at Patty Palace weeks ago and hasn’t told Jay. She also hasn’t told him that she is working as an escort again. She also hasn’t let him in on the whopper of a revelation that she is using drugs again, shooting heroin into her foot. When Jay and Ryan Wheeler(Matt Lauria) are having their day off party, Mac(Mac Brandt) tells the wild Kulina to go get some food and why not grab some burgers from a place where your mom works.(Not that Jamal would have allowed free food to leave that joint). When Jay catches up with the audience and goes back to the house to find the hidden drugs Christina has stashed, the Jonathan Tucker show takes over. Allow me to explain…

TV shows with ensemble casts rarely find time to showcase each and every member of their cast. Kingdom executes this to perfection. Every actor feels lived in, real and breathing. There are no caricatures on Navy Street and this climatic moment proves it. Tucker is a live wire entertainer with more speeds than most actors. He can be a sinner, saint, and joker all inside one take. However, we’ve never seen him dig this deep. He starts the episode out giving a tense Alicia a massage, nearly hurts Ryan in the ring, and helps wrestle a depressed and philandering Nate(Nick Jonas, swollen emotionally and physically for perhaps the entire season) out of bed for a little party. He’s happy on the outside but quietly waging war on himself on the inside, trying to make weight for a big fight, stay out of trouble and enjoy himself while being lovestruck. However, the Christina betrayal sets something off inside him. An explosion. The look in Jay’s eyes as he desperately asks everyone to leave his house so he can deal with his mother is heartbreaking and brilliantly played.

The Scene of the Year! Tucker and Going are masterful in this scene. She comes home to a quiet house where Jay is waiting. Here, the audience thinks he will just bitch her out and take her to rehab. Like every other fucking show on television. He does her seven steps worse. He is going to shoot himself with drugs and flip the script. Instead of him cleaning up her mess, she will have to care for him as he is under the influence of one of the deadliest drugs on the market. You may see Jay and friends snort cocaine like its going out of style, but shooting drugs into your system is where the overdoses happen and serious damage occur. Jay knows this and punishes Christina by hurting himself. He is taking the beast that stalks his mom around and taking it for a ride. This is the scene of the year for me. So far.

Why Do You Fight? Elsewhere on Navy Street as the Kulina’s deal with internal infrastructure maintenance, Alicia is losing it before her big fight. After a training session with Alvey that reveals a back injury and a walk along Venice Beach that reveals the lack of drive Alicia has for stepping into the ring. In order to truly be great in MMA or Boxing, you have to want it and be able to pinpoint the exact reason why. You don’t get punched in the face in order to pay the bills. In the Grillo Greatness moment of the week, he tells Alicia he fights because he likes to hurt people, beating them up and stealing their identity. The only thing missing from Grillo’s speech as Daniel Day Lewis’ legendary milk shake line from There Will Be Blood. Alvey knows why. Jay and Ryan know why they fight. Nate and Alicia….they don’t. Not yet.

Before it’s time to take the ring, Alicia is really losing it. She is crying. Exhibition or not, the nerves before a fight are unique. It’s not like getting into a fight on a street. That’s all instinct. Fighting for a living is like seeing the bully in the first class at school and telling them you will fight after school. For the next six hours, you boil inside and figure all the possible outcomes. That is Alicia. She has rage, talent and potential but once you climb into the ring, as Alvey said at the top of the hour, it’s you all alone in this world.

After a little Alvey pushing, Alicia climbs into the ring. I’ve said before Grillo says fuck better than any actor out there, including DeNiro. Well, watch the locker room scene between him and Martinez and you will get his best impression of DeNiro. When Alicia says she can’t do it, Grillo cocks his head, turns it and delivers the best Bobby D impression, intentional or not. It’s beautiful. Go watch it again and come back here to finish the cap.

Alicia doesn’t just win the fight. She destroys the other woman. Martinez’s authenticity, like Grillo’s. shines through here. A kickboxer in real life who moves like a ninja with swag and attitude, she survives a tough first round and is born inside the octagon. When she scores the takedown of a lifetime and pounds on her opponent before Joe Daddy calls it, everything changes. She has an endorsement deal, a future in fighting and apparently no need for Ryan Wheeler shenanigans any longer. After the fight, she tells a drunk drugged up yet alert Wheeler that it’s over.

The dudes on this show aren’t having a good season my friends.

What else happened?

~In the Keith moment of the week, he catches a pair of pool side kids playing TMZ hawks, recording Ryan have some fun with cocaine. He catches them and tosses the phone. He may not be put together like everybody else, but Keith is a useful guy when it comes to avocado farms, drinking, and paparazzi.

~Lisa’s pregnancy hits a wall when she has to go in for extra tests to see if there is a concern with the baby. She misses Alicia’s fight but leaves Alvey a message that it is a boy and that the Maker of Men has struck again. There’s hope for these two yet.

~Wheeler goes off about Alvey devoting a whole day to Alicia and while it may seem like nothing, this may come into play later with the result of Ryan’s fight. There’s a simmering boil inside Lauria during every episode that is set to explode but let me tell you it won’t be a gym mirror he damages this time.

~Every episode features a Grillo training session. Forget Billy Blanks and any other trainer you can find. Just watch Grillo work. He’s trained in gyms of all kinds and lives and breathes this environment like a second layer of skin. He’s a joy to watch.

There are two hours left ladies and gents. Fireworks have gone off but more await. Are you ready? With success comes a heightened state of desire. Will it burn down the Kulina bridge? December will reveal it all. There are no winter breaks on Kingdom. It is coming at you every week. If you are behind, catch up on Itunes, Amazon, Audience on demand or Uverse on demand. Do it. Think later. Just watch.

Every obsession with a TV show starts with a plunge. There are shows you watch and like, but do other stuff while it plays. There are shows that captivate you for the entire hour. I watched this hour of Kingdom in one prolonged death stare.  My phone, a dark room, an open window and a lack of fluids. After every hour, I work out. This show will make you want to work out, hit something or show passion. It connects. Try it out.

Come back next week for more Kingdom talk.

Talking with “Kingdom” creator Byron Balasco

Michael Buckner/Getty Images
Michael Buckner/Getty Images

Every TV show has to have a hook in order to get your attention.

There’s simply too much on the tube these days to simply be good on the surface and get people to reserve a room in their world of make believe. Well, Direct TV’s hit series, Kingdom, will get you in the door and make you want to stay for a long time with its balanced concoction of fists, heart, blood and the family ties that tie them together and tear them apart the next day. The creator and executive producer, Byron Balasco, has always been a fan of the MMA arena and its inhabitants, but he wanted to make something more than just a show about fighting. What do these guys go home to and how much fuel does a single fight give somebody?

I came onto Kingdom due to my “watch anything with Frank Grillo in it” natural law, so when he mentioned a little MMA show called Kingdom in a 2014 conversation, I had to give it a look. Without Direct TV, I had to wait a year to watch but quickly consumed the 10 episodes and I strongly suggest you do as well.

This past week, I talked to Balasco over the phone about the raw power of Season 1 and what to expect when Season 2 premieres on October 14th.

Dan Buffa-What made you want to get into the world of MMA?

Byron Balasco-I’ve been a fan of the sport for many years even before it became what it is now. It was so interesting to see people get in a cage and fight for a living. The more I knew these people, the more interesting it became. As a writer, you are always looking for great worlds to set your characters in. Finding the best places to tell these stories. MMA seemed to be rife with opportunity. It’s a subject matter that doesn’t get a lot of networks excited because they feel it’s a world they know little about. It’s marketed as this hyper aggressive meat headed sort of stuff, and while it’s got some of that, these are real people with real lives with families. Instead of pitching the idea, I just wrote it myself so I could show them what it could be in the best way possible. Its a character drama. Endemol got a hold of it and understood it and were passionate about it. Direct TV jumped in for 10 episodes and we were off.

Buffa-I feel like you really lay your stamp on it with these hardened, dirty, flawed characters that we don’t see much around television. These are honest, real and imperfect people. I really liked that. 

Balasco-That is the thing. What they are struggling with is what everybody deals with in their lives. However, I wanted to represent that world so sometimes they are a little more aggressive about it. They are more extreme. Writing them honestly and our cast is committed to playing it honestly makes it work. They give it that lived in feeling. You buy into these people.

Buffa-How important is Frank Grillo to this show? He seems to be the captain of that ship. 

Balasco-He was the first one I brought on. The first piece of casting. Part of getting the show going was finding our Alvey. Frank’s name kept popping up to me. He was the first person I thought of. He wasn’t sure he wanted to do television but he read the script and we did a skype and within 20 seconds, we knew this was going to happen. He knows the world so intimately and he’s been doing it for 25 years. He’s been boxing his whole life so we could speak that same language. The places where I wanted to take the character were in line with places he wanted to explore as an actor. We made a pact that if we were going to do this, let’s do this all out. 

Buffa-When I talked to Grillo the first time, he told me about people calling him up to have him train them after they saw the film, Warrior. He’s so authentic. You don’t meet Frank’s every day. 

Balasco-There’s never a false note when he’s on set. You don’t feel like it’s work. It just seems natural. 

Buffa-One of the strong points of Kingdom is balancing the ring aspect and the family part of the story. Was that important to you?

Balasco-That was very important. You have to have some fighting because that’s the world they are in and the stakes they are facing, but if you do a fight every episode, it gets monotonous. If they want to watch a fight every episode, they’ll find a real fight to watch. I really wanted to tell a story about these people’s lives.

Buffa-Direct TV gave your show a two season(20 episode) pickup. Was that surprising and did that give you some freedom in mapping out your story?

Balasco-It was very exciting. I was in France at Cannes selling the show and got the call. As far as changing my approach, I can look a little ahead and lay things out differently. However, we do go season to season. We are not a big plot driven show. It’s about the characters, so each season is a chapter in their lives. This show lends itself to that kind of storytelling. Yes, its nice to know we have a little bit of time, but it doesn’t change the way we attack a season.

Buffa-This characters are intense with some very intense scenes. How do these actors get worked up? Is there red bull drinking challenge in a steam room or something?

Balasco-All of these guys train incredibly hard and consistently. They train with real fighters on our set keeping us real. We all are a family who loves each other so there is a camaraderie.  There is also a competition among them as well. They are brothers. You love them but you don’t want to be the weak link. Everybody, including Kiele and Joanna, shows up wanting to kill it. Everybody really cares and lives in these roles so it lends a sense of authenticity. We are also open to discover stuff on set and I will make a change on set if it makes the scene feel more natural.

Buffa-The great TV shows always feel like a family driven operation and not just a job. You guys are getting down in the trenches to create something special.

Balasco-That’s exactly right. This cast has a lot of chemistry together so it comes out.

Buffa-Season 1 left characters in a seemingly successful if jaded position. Fights in the ring were won but maybe lost on the homefront. Where does Season 2 open things up at?

Balasco-Some time has passed. There has been some success and they are in a new gym but still hanging by a thread. It’s like “you get ten extra bucks but you spend ten extra bucks.” That struggle is still real. There have been some changes. Alvey and Lisa are still trying to make it work. I don’t want to give too much away. The theme of this next season is the painful ascent. With success, it doesn’t always drag everybody at the same pace. It changes the dynamics and awakens new tensions among people. 

Buffa-Alvey was telling Lisa early on in Season 1 about the threat of expanding. When you have this little indie family gym, it’s hard but it is yours. With more money, you invite more snakes in the den. 

Balasco-You wonder why you are doing it? That’s a big part of the show. It was in the first season and will be in every season that comes after it. You fight so hard and chase something and nothing changes. You still have to deal with yourself and relate to the people in your life. 

Buffa-It’s like a drug. It’s satisfying but you are always left wanting more and feeling unsatisfied. As a writer, I have homework for life because it’s always about the next story I write. 

Balasco-Always. I’m telling you. Every time I finish a script, I feel good for half a day and then I start thinking about the next one and how it has to be better than the last. It never ends. 

Buffa-You’ve come onto something really special here and are the first show to truly tackle MMA. In the press notes, it says to go with the Ronda Rousey craze, in season 2, there is a female fighter joining the ring. 

Balasco-Honestly, that was a little less a Ronda Rousey thing and really from the fact I spend a lot of time in gyms and there’s female fighters in every gym. I go up to Albuquerque with Craig Jackson and hang out with him a lot. He trains some of the best fighters in the world and has women in his gym all the time. We want to be authentic and be real to the world. To not do that was a big glaring hole in our roster. The trick was finding the right actress. I worked with Natalie Martinez from a show I did called Detroit 187. She is a fighter in real life and can kick ass in real life. We have a great fight with her this season and she put everything into it. It pumped up the guys seeing her in it. 

People can watch and enjoy a TV show but if you want people to love your show and talk about it in the street, at the gym, in restaurants and around the bars, it has to be authentic. In order to be authentic, the creator, crew and everybody involved must care about what they are doing. It’s their faces, heart and souls out there. Balasco, directors Gary Fleder and Michael Morris among others, the writers along with Grillo, Jonathan Tucker, Matt Lauria, Kiele Sanchez, Joanna Going, Nick Jonas, Mac Brandt and anybody else getting punched all care about making this show perfect. They sink all they have into it. It starts and ends with Balasco, the guy who wanted to put a unique twist on television and the world of MMA. He’s done other shows like Without a Trace and Huff, but Kingdom is his domain and that is felt in every scene of this show.

The second season premieres on October 14th, so you have plenty of time to watch the 10 episodes from season 1, join a gym, start punching things and get pumped up about season 2. It’s not just television. It’s a slice of life that combines the brutality of the ring with the fierce battlefield of a home.

Wrap your hands and head to Itunes, ladies and gents! Come October 14th, watch this show. If you don’t have Direct TV, make friends with someone who does, even if their apartment sucks and they are annoying.